Guitar Resources

Learn some movable magic chords and how you can use them. Steve's musical passion in recent years has been modern jazz and fusion guitar, and his playing has been heavily influenced by guitarists such as Pat Metheny, Mike Stern, Bill Frisell, Allan Holdsworth, Kurt Rosenwinkle, Scott Henderson, Wayne Krantz, Oz Noy, and John Scofield.
This example is making use of the 3 note per string pattern to make it easier to play faster and more intervallic runs is Instead of thinking of the scale as a row of notes I am thinking of the two notes per string position with an upwards and downwards extension of one note for each string.



In simple terms, the goal here is to learn that mastering the sound of the modes of the melodic minor scale doesn't require learning all these new patterns and positions as we can learn how to turn the mixolydian scale into something a little more fusion by just changing the colour of the scale.
In this lesson I take you through the upper and lower voices of my own arrangement of Variation number 1. It's simply full of beautiful lines which are a fine example of tension and resolution and can serve as a superb way of improving not only your technique but also your improvisation through targeting chord tones.

The licks that are contained within the lesson have been taken from my 'Warming up at Licklibrary' Youtube video, which has been described as 'an awe-inspiring demo of insane technique and musicality' and has caused a stir within the guitar community.
Triplets feature 3 notes for every beat in the bar and are counted 1-trip-let, 2-trip-let, etc. The new way of playing the scale is using an alternating pattern of 3 and 1 notes per string. Jazz and blues, 50s rockabilly and western swing, to the funk and jazz fusion of the 70s.
One is for TrueFire which is on Blues Guitar, the other is for Mike's Master Classes which is on traditional Jazz Improvisation. Unlike those who rock and roll, funk guitarists hybrid picking fusion licks focus much more on the upper strings and generally employ, as has been said, techniques which enable them to make rhythmic, harmonious music in sync with the rest of the band.

6 slow tempo videos, each with tabs, guitarist's notes and scale diagrams. BECOME THE BEST JAZZ GUITARIST YOU CAN BE. At LickLibrary we have hundreds of in- depth guitar lessons covering every genre and technique and we have the best guitar tutors in the world.
He has joined several bands playing a lot of different styles: from rock, blues, pop, jazz, gospel and a bit of heavy metal. Now that you've learned the chord progression and some ways to funk it up, it's time to learn the same shapes in a different area of the neck.

I then play the fill over the B7alt chord to add a jazzy flavor to the lick. I first learned this scale-fingering method from checking out Allan Holdsworth's playing, and later on from listening to Kurt Rosenwinkel talk about it during clinics and workshops.
It is a full performance of the winning track with lesson shot in full HD video. To do this, put on a metronome and play the C major scale with 8th notes, then triplets, then 16th notes back to back. Notice that the &'s of each beat in the second bar is accented, meaning you play it slightly louder than the notes on the beats in each bar.

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